Hand painting distinguishes the porcelain at Augarten, with Wiener Rose among the patterns associated with the Viennese house. Baccarat works in crystal, with Harcourt glasses and chandeliers forming part of its range. The French house began in 1764, but its first crystal oven entered operation later, in 1816. Granada's Ceramica Fajalauza (Cecilio Morales) throws and paints tin-glazed pitchers and oil pourers through the Fajalauza pottery tradition.
Porcelain since 1718 — Europe’s second-oldest manufactory, still painting by hand in a baroque palace; the Wiener Rose pattern outlived the empire that ordered it.
The crystal of kings since 1764 — Harcourt glasses, red-box chandeliers and Lorraine savoir-faire. First crystal oven went into operation in 1816; Baccarat received its first royal commission from Louis XVIII in 1823.
Best for Harcourt crystal glasses and red-box chandeliers, crafted since 1764
Baccarat began in 1764, when Louis XV authorized a glassworks in the Lorraine village whose name it would carry to every palace on earth. Crystal came in 1816, and with it the commissions that built the legend: Charles X's service in 1823 opened the royal ledger, and the Harcourt glass of 1841 — six flat-cut facets on a hexagonal foot — became the most durable design in tableware history, chosen by popes, presidents and the Élysée without interruption.
The red boxes carry the wider empire: chandeliers that lit the Dolmabahçe Palace and tsarist Russia (the house once ran a furnace shift purely for the Romanovs), stemware services deep enough to name eras, and the Zénith chandelier in red crystal as the modern flag. Two hundred sixty years of Lorraine savoir-faire include a Meilleurs Ouvriers de France density no rival matches.
The Paris maison at Place des États-Unis — now flagship, museum and restaurant — stages it all in mirrored theater. Baccarat remains the word French uses for crystal when it means the best.
Founded in San Carlos de Bariloche in 1948, Cerámica Bariloche makes tableware and decorative objects from ceramic, red porcelain and stoneware. The Razza family continues to develop new techniques, models and designs; motifs on the Mayólica and red-porcelain lines are drawn freehand, and every product is made at the Anasagasti 1515 workshop.
This Fajalauza pottery on Carretera de Murcia traces its kilns back to 1517 and is now run by the Fajalauza Foundation following the death of potter Cecilio Morales Moreno in 2022. It throws and hand-paints pitchers, sugar bowls, vases and oil pourers in the tin-glazed Granada tradition.
Best for Traditional throwing-and-painting Fajalauza ware
Chin Jukan Kiln has fired Satsuma ware in Miyama since 1598, founded by Korean potters brought under the Shimazu clan. Its 15th generation still uses a wood-fired climbing kiln, producing ivory-glazed, hand-painted nishiki-de pieces sold alongside an on-site museum and tea room.
Best for Hand-painted Satsuma nishiki-de porcelain from a wood-fired climbing kiln run by Korean-potter
Chin Jukan Kiln dates to 1598, when Korean potters brought to Satsuma under the Shimazu clan during the Korean campaigns of the late sixteenth century established the workshop in what is now Miyama, in Hioki City, Kagoshima Prefecture. The family name, Chin Jukan (Shim Sugwan in Korean), has carried through fifteen generations since, with the current master taking the name in January 1999. The kiln's reputation reached beyond Japan as early as 1873, when the twelfth-generation Chin Jukan exhibited at the Vienna World's Fair and helped establish Satsuma ware's international reputation. The workshop still fires in a traditional wood-fed climbing kiln, one of the few still operating in the region, producing the ivory-glazed, finely crackled Satsuma ware body finished with hand-painted nishiki-de brocade decoration — dense, gilded floral and figural patterns built up in multiple firings. Alongside studio pieces sold on site, the kiln keeps a heritage museum documenting its four-century history and a tea room on the same grounds. The fifteenth generation has continued exhibiting internationally, including in Paris, South Korea and Russia, and was named an honorary citizen of South Korea in December 2024 — continuity across four centuries paired with an active, still-showing contemporary practice.
Ctra de Murcia, 166, Granada (the Fajalauza name and glaze style originate from the Puerta de Fajalauza in the Albaicín)
Cerámica Fajalauza is a working Granada pottery documented back to 1517 and passed down through generations of the same family, now run as a foundation after founder Cecilio Morales Moreno's death. The factory and shop sell hand-painted tableware and decorative vases in the traditional blue-and-green Fajalauza glaze, take custom commissions, and offer pottery workshops.
Best for Fajalauza-glaze tableware, vases, custom commissions and pottery workshops
Founded in 1753, the Gen-emon kiln paints every piece of its Arita porcelain by hand in the spirit of old Imari. Its tableware and decorative ware are made without printed transfers.
The Doccia porcelain manufactory — Tuscan porcelain art since 1735, from Oriente Italiano to Luke Edward Hall. The Florence shop has occupied the ground floor of Palazzo Ginori on Via dei Rondinelli since 1802.
Best for Oriente Italiano porcelain and collector tableware.
Marquis Carlo Ginori founded his porcelain manufactory at Doccia, outside Florence, in 1735 — among Europe's first, racing Meissen and Vienna to master the Chinese secret — and Tuscan aristocratic ambition set the register permanently: sculptural porcelain, painted by hand, meant for palaces. The 1896 merger with Milan's Richard company created Richard Ginori; Gio Ponti's artistic directorship in the 1920s produced Art Deco porcelain of such wit and rigor that his pieces anchor design museums worldwide.
The house's modern rescue is a Florentine story too: Gucci acquired the bankrupt manufactory in 2013, restoring it as Ginori 1735 under Kering — Oriente Italiano's saturated botanical dinnerware became the flagship collection, and collaborations with Luke Edward Hall and scented-candle lines in Labirinto reliefs recruited a new generation to the shelf.
Production continues at Sesto Fiorentino beside the company museum's three centuries of molds. Ginori remains Italy's porcelain aristocracy: the table as fresco, fired at 1,400 degrees.
Hand-painted Breton faïence tradition dating to 1690, when Jean-Baptiste Bousquet founded the first Locmaria pottery in Quimper under a royal license from Louis XIV; the Henriot workshop descends from an 1778 pottery that passed to Jules Henriot in 1873.
Best for Hand-painted Breton faïence figures, a Quimper tradition since 1690.
Quimper's faïence tradition began in 1690, when Jean-Baptiste Bousquet, a faiencier from Marseille, established the first pottery in the Locmaria district, bringing southern French tin-glaze techniques to Brittany under a royal manufacturing license granted by Louis XIV. Locmaria's clay deposits and access to a navigable river supported the trade for centuries. A third Quimper pottery, founded in 1778 by François-Marie Dumaine, passed in 1873 to Jules Henriot and became known as the Henriot factory; three houses -- Grande Maison HB, Porquier and Henriot -- historically competed in the town before later consolidating. The hand-painted decoration associated with the region centers on the 'petit Breton,' a small figure of a countryman in waistcoat and broad hat, set against scattered sprigs of carnation and daisy within a wavy border. Each piece is still hand-painted from start to finish by resident artists and marked Henriot Quimper to certify its authenticity.
Inge-Glas has been a glassblowing family for 15 generations in Neustadt near Coburg, tracing its craft to 1597, and makes Christmas ornaments that are traditionally mouth-blown, hand-silvered and hand-painted, finished with its protected Sternkronchen (star crown) mark.
Founded in 1763 as the Prussian royal porcelain works, KPM still hand-forms and hand-paints its tableware and figures at the Charlottenburg manufactory on Wegelystrasse. Patterns such as Kurland and Urbino carry the cobalt-blue sceptre mark that has signed each piece for more than 260 years.
The Ohi kiln has fired Ohi-yaki tea bowls in Kanazawa since 1666 and is now led by its 11th generation. Its compound holds a Michelin-starred museum, a Kengo Kuma-designed gallery, named tea rooms, and a garden by Hiroshi Teshigawara.
Best for Ohi-yaki tea bowls fired by an 11th-generation kiln
The Ohi kiln has fired tea bowls in Kanazawa since 1666, when the fifth Maeda lord of the Kaga domain invited the tea master Sen Soshitsu to the city and the first Ohi Chozaemon - a close disciple of Ichinyu, fourth-generation head of the Raku family of potters - began working clay dug from the nearby village of Ohi. More than 360 years and eleven generations later, the kiln is led by Ohi Chozaemon XI, still producing the low-fired amber and black raku-style ware the family is known for, made in service of chado, the way of tea, under the guiding principle of wa kei sei jaku - harmony, respect, purity, tranquility. The compound itself has grown well beyond a working kiln: a museum opened in 1990 displays pieces from every generation and has been awarded a Michelin Guide star, an unusual honor for a private museum, while a 2014 gallery designed by architect Kengo Kuma shows contemporary work alongside the historical collection. Several named tea rooms sit on the grounds, including Nennen-An, whose sliding doors carry paintings by artist Hiroshi Senju, and a front garden called Futei, laid out under the supervision of Hiroshi Teshigawara. It amounts to one of the more complete places in Japan to see a single ceramic lineage - kiln, museum, garden and contemporary gallery - under one roof and one family name.
Deshoulières, founded in 1799, is France's largest porcelain manufacturer, running a Limoges factory outlet alongside its other French production sites. The group holds the Entreprise du Patrimoine Vivant label and focuses on table-arts porcelain for both households and hospitality clients.
Best for French-made porcelain tableware, factory-outlet pricing
French porcelain manufacturer founded in 1768 in Saint-Uze, Drome, tracing to Pierre Revol. Nine generations of family ownership (Revol, then Bourgonne, Loire, now Passot); makes its own paste from regional kaolin, feldspar and silica.
Best for Restaurant-grade French porcelain, made in the Drome since 1768
Revol traces its founding to 1768, when Pierre Revol established a workshop in Ponsas, in the Drome region of southeastern France, after marrying into a family of faience makers. The company later centered production in Saint-Uze, about 70 km south of Lyon. Over nine generations, leadership passed through four family names - Revol, then Bourgonne, then Loire, and currently Passot. Revol is unusual among ceramics houses in making its own paste on-site: raw kaolin, feldspar and silica arrive unprocessed and are worked into porcelain paste in-house rather than bought pre-mixed. The manufacture specializes in culinary and tableware porcelain designed for oven-to-table use. The Saint-Uze site remains open to visitors as a working factory.
Danish porcelain — the Royal Copenhagen flagship on Amagertorv has sold hand-painted blue-fluted porcelain since 1775. The hand-painting workshop is visible through glass walls.
Best for The blue-fluted porcelain, the hand-painting workshop, and the 1775 heritage.
Three wavy blue lines, painted under the glaze of every piece: Denmark's three straits — Øresund, the Great Belt, the Little Belt — the waters that define the kingdom, adopted as a maker's mark in 1775. Royal Copenhagen's logo is older than most nations' constitutions, and it has meant the same thing without interruption: porcelain by royal decree, made to the crown's standard, from the manufactory the Danish court called into being.
Two patterns carry the house across its two and a half centuries. Blue Fluted, the fluted white porcelain traced in cobalt, still sets the northern table — the pattern so embedded in Danish life that it functions as national tableware, inherited, added to, and recognized at a glance. And Flora Danica, the botanical service originally intended as a gift for Catherine the Great: every piece hand-painted with a different Danish plant, stroke by stroke, exactly as in the eighteenth century — a botanical encyclopedia you can dine from, still produced, still painted by hand, still among the most extravagant tableware on earth.
The Amagertorv flagship holds the whole story two doors from Georg Jensen's silver — Copenhagen keeping its crown jewels retail, side by side on one square. Walk the shop and the centuries collapse: the straits still flow in blue under the glaze, the flora still blooms one brushstroke at a time, and the royal decree of 1775 is still, piece by piece, being carried out.
Founded in 1653, this is the last survivor of the original 17th-century Delftware potteries, where painters still hand-decorate every blue-and-white piece and mark it with a painter's initials and a year code. The Rotterdamseweg complex holds a museum, a factory store and Brasserie1653, and turns out plates, tiles and figurines finished on site.
This design-led British pottery, established in 1793, hand-makes tin-glazed English Delftware — striped jugs, blue-and-white ware and figures. Every piece passes through at least ten hand processes.
Best for Hand-decorated tin-glazed ceramics and collectable figures
This porcelain manufactory, founded in 1710, still marks its work with the hand-painted crossed swords in the town of Meissen on the Elbe. The range runs from the Swan Service and figurines to fine art and porcelain jewellery, all modelled and painted by hand.
Best for Hand-painted fine porcelain and figurines
The Frederiksberg shop describes itself as offering hand-picked interior and home products, including hand-blown Murano glass from Venice and hand-painted Horezu pottery from Romania alongside Japanese ceramics and tableware. Its showroom on Godthabsvej is open Thursday to Saturday, with brands including Serax, Sabre Paris and 1616/arita japan.
Supermama is a Singapore design store with a flagship at 213 Henderson Road and shops inside the Asian Civilisations Museum and the Peranakan Museum. Its Singapore Blue porcelain prints the city's icons on plates and objects. The One Singapore 2026 Edition adds 22 new icons. The shop also carries Japanese craft such as 1616 / arita japan. A showroom operates in Kugayama, Tokyo, under the Supermama name.
Best for Locally commissioned porcelain and design objects from this Singapore gallery-shop since 2011
Supermama is a Singapore design store whose flagship occupies 213 Henderson Road, unit 01-01. Two further shops trade inside museums. One is at the Asian Civilisations Museum on Empress Place and one at the Peranakan Museum on Armenian Street, and both are open without an entry ticket. Its central line is Singapore Blue, porcelain plates and objects printed with the city's icons, from public housing blocks to the Merlion. The One Singapore 2026 Edition plate adds 22 new icons in standard and gold-rim versions. Collections have been made with the Peranakan Museum and the Asian Civilisations Museum. Others were made with the restaurants Chatterbox and Candlenut. The shop also carries Japanese craft, including tableware by 1616 / arita japan, alongside design objects and an eco bag range. The Mandai collection and the Island Bloom collection extend the local imagery, as does the New Nanyang line. A showroom called Supermama mit Tobuhi operates in Kugayama, Tokyo. The company runs corporate gifting under the Singapore Blue name and a workshop experience for visitors. Self pick-up is available at the Henderson flagship from Monday to Saturday. Orders are dispatched twice a week, and local delivery covers the whole of Singapore.
Headquartered in Nova Role near Karlovy Vary and tracing 230 years of tradition with 100 years of production in Nova Role since 1921, Thun 1794 fires hard porcelain at 1,405 degrees Celsius across three plants in Nova Role, Klasterec and Lesov. It decorates tableware, hotel porcelain and children's collections using transfers, spraying, hand-painting and stamping, and was named to the Diamanty ceskeho byznysu 2024 hall of fame for corporate social responsibility.