Pottery shares space with illustrated clothing at Block Island Blue Pottery & Fashions, the business Joan Mallick founded in 1986. Her daughter Stephanie continues the pottery alongside apparel, keeping both forms within the same Block Island business. Jerusalem's Cadim Ceramic Art Co-op Gallery operates as a ceramicists' cooperative, with participating artists staffing the shop on Yoel Solomon Street. At Canterbury Pottery, Richard Chapman makes high-fired stoneware, continuing the workshop his mother Betty established in 1963.
Ben Owen Pottery, at 105 Ben's Place in Seagrove, North Carolina, has been in the Westmoore-Seagrove area since 1959, with Ben Owen III's forefathers having come from England in the late 1700s to work in pottery. The studio's storage jars and utilitarian wares reflect traditional designs alongside Asian influences, and the showroom includes a family museum and hosts kiln openings three times a year.
Joan Mallick founded Block Island Blue Pottery in 1986, and her daughter Stephanie now runs the shop, throwing ceramics and designing apparel. The clothing carries Stephanie's hand-drawn illustrations of the island's marine life and historic landmarks.
Best for Island pottery and illustrated apparel
Joan Mallick founded the pottery in 1986; her daughter Stephanie runs it now, throwing the ceramics and designing the apparel — a two-generation island workshop where the clothing carries Stephanie's hand-drawn illustrations of Block Island's marine life and historic landmarks. Island pottery and illustrated apparel, made where the subject matter lives.
4 Yoel Salomon Street, Nahalat Shiv'a, Jerusalem, Israel / Jerusalem / Israel
Founded December 1987 as a ceramicists’ cooperative; iTravelJerusalem and Inbal Hotel report 15 artists who staff the shop themselves after Cadim merged with Altogether 8 on Yoel Solomon Street (iTravelJerusalem; Inbal Hotel).
Best for Founded December 1987 as a ceramicists’ cooperative.
Canterbury Pottery has thrown high-fired stoneware at 38a Burgate, in the shadow of the cathedral, since Betty Chapman founded it in 1963, with her son Richard developing the studio's deep library of glazes over decades. The workshop behind the shop makes mugs, jugs, bowls, garden pots and ecclesiastical pieces, each finished by hand.
A Dolores Hidalgo pottery started by J. Jesus Garcia Cruz in 1972 and now run by three of his children, Casa Garcia turns out lead-free plates, pots and glazed planters for kitchen and garden. Every piece is hand-thrown and hand-painted in the town that anchors Guanajuato's ceramic trade.
Handmaking Emporda clay since 1977, Planas Marques throws and glazes pieces using raku, metallic reflections and low-temperature colour. Its art gallery and shop on Placa de l'Ajuntament in Pals sells decorative homeware, tableware and gifts.
Best for Raku and metallic-reflection glazes — decorative homeware, tableware, and gifts in Pals
Ceramica Artistica Sorrentina has hand-painted ceramics in its Piano di Sorrento workshop since founder Antonino Puglia opened it in 1982, producing plates, dinnerware sets, and decorative pieces in traditional Sorrento styles. The workshop sells directly from its studio and ships its handmade ceramics through a full online store.
Cerámica Los Arrayanes was born in Granada in 1988 to preserve the city's ceramic tradition, which grew from the glazes and forms of Nasrid workshops. Its artisans trained under Agustín Morales Alguacil of Cerámica San Isidro. Each piece is shaped on the wheel or in hand-made moulds, bisque fired, painted with natural pigments and fired again at the shop on Calle Alhóndiga 16.
Best for Nasri-pattern hand-painted ceramics
Cerámica Los Arrayanes was founded in Granada in 1988 by Manuel Martín, who had entered the ceramics trade in 1974 as an apprentice at Cerámica San Isidro, then one of the city's most important workshops, before setting out on his own. The house's artisans trained under the San Isidro workshop's own master potter, Agustín Morales Alguacil, a figure regarded internationally as a leading authority on Granada's ceramic tradition, and that lineage of technique — rather than an inherited family kiln — is the foundation the workshop still builds on. The business now operates two sites: a shop in Granada's historic center on Calle de la Alhóndiga, and a production workshop and second outlet in Atarfe, a town on Granada's outskirts, where the pieces are actually thrown, fired, and hand-painted. The decorative language draws on the Nasrid aesthetic that shaped Granada's visual culture under the emirate that ruled the city from the thirteenth to the fifteenth centuries, applied here across a range that runs from purely decorative tiles and vessels to functional commissioned work — sinks, house signage, and custom pieces for cortijos, the traditional Andalusian country estates. That range, spanning ornamental and functional ceramics alike, distinguishes Los Arrayanes from workshops that specialize narrowly in either tourist-facing decorative ware or utilitarian pottery.
Ceramiche d'Arte F.L. Orgia has made ceramics since 1965, working from its base in Italy under the Made in Italy label. The workshop describes its process as crafting, painting, and creating pieces by hand.
Founded in 1974 on the road toward Porto Azzurro, this family workshop throws and hand-decorates ceramics and heat-resistant terracotta for garden and home. Wheel-thrown pots, tableware and decorative pieces are made on-site and sold from the adjoining shop.
Ceramiche Elios has made hand-crafted artistic ceramics for the table since 1958 from its base between Nove and Bassano del Grappa in the Veneto. The firm, registered as Ceramiche Elios s.n.c., sells only to wholesalers, importers, distributors and other businesses, not directly to private customers.
Ceramiche Lega has made ceramics in Faenza since 1950, when founder Leandro Lega began the workshop, later joined by his daughter Carla in 1975 and now run with her daughter Martina. Pieces are hand-modeled from thin clay sheets using cartoccio and colombino techniques and finished with metallic and iridescent reduction-luster glazes.
The Bolesławiec cooperative has made pottery since 1950, decorating its ceramic tableware by hand with brushes and stamps in patterns designed by its artists.
Chilmark Pottery is Geoffrey Borr's studio and gallery in a shingled barn at 145 Field View Lane, West Tisbury on Martha's Vineyard, working with clay here since 1982. Visitors can watch potters at work, buy the handmade pieces in seascape and copper-red glazes, and take clay classes.
Best for Watching potters at work, seascape and copper-red glazed pottery
501 Tollgate Industrial Centre, 12 Ravenscraig Road, Woodstock, Cape Town, South Africa / Cape Town / South Africa
Production studio established 1989 by Clementina van der Walt and Albie Bailey; van der Walt has worked full-time in ceramics since 1988 (Design Indaba; House and Garden SA).
Best for Ceramics from a production studio established in 1989.
Colibri Diseno de Objetos, founded 18 years ago by ceramic master and designer Cristina Urgiles, born in Cuenca in 1973, makes enamel-glazed ceramic pieces at Av. Pumapungo 3-60 y Paseo de los Canaris in Cuenca. Its lines include Candelabros, Contempo, Cruz and Magneto, among them ceramic and wooden key holders shaped like owls and dandelions.
Terrecotte Corradini e Rinaldi has worked in Montelupo since 1960, producing ceramic and terracotta vases, urns (orci), planters, statues, busts, and animal figures. The workshop is based at Via Tosco Romagnola Nord 12 in the Camaioni district.
Founded in 1974 when potter John converted an old fruit barn into a studio, gallery and home after training under Wisconsin master potter Abe Cohn. Four decades on it still throws functional, everyday pottery built on the idea that a humble mug should feel good in the hand.
Founder Michael trained in ceramics in Famagusta in 1969, then rebuilt the workshop in Larnaca in 1987 after being displaced by the 1975 invasion, near the Church of St Lazarus. The studio still throws ancient-style, ecclesiastical, and modern pieces by hand and lets visitors watch or join the potters at work.
Best for Hand-thrown traditional and ecclesiastical ceramics
Gallerí List, Iceland's oldest fine art gallery, founded in 1987 at Skipholt 50A in Reykjavík, sells Icelandic contemporary art including oil paintings, watercolours, drawings, sculptures and ceramics from 60 to 80 artists.
Operating since 1981, this one-potter studio on Route 25 throws functional high-fired stoneware finished with in-house glazes. Every piece is food-, dishwasher-, microwave-, and oven-safe, made without molds or machinery.
Best for Handmade functional stoneware from a decades-old studio
13 Sha'ar Zion Street, Old City, Jerusalem, Israel / Jerusalem / Israel
Self-taught Hagop Antreassian entered the ceramics business in 1980; his workshop-studio across Zion Gate displays hand-painted Armenian pottery and visitors can watch him paint.
Best for Hand-painted Armenian pottery from a workshop where visitors can watch the maker.
Heath Ceramics has made handmade dinnerware in California since 1948, along with its Heath Tile. Dinnerware is made by hand in Sausalito and tile in San Francisco.
A Tsuboya pottery workshop and shop where visitors can buy yachimun and watch or take part in pottery making. The official company page records the present company as established in April 1963; the pottery tradition is led by a sixth-generation owner.
Best for Tsuboya yachimun pottery and hands-on pottery making at a sixth-generation workshop
Ikutoen is one of the long-established pottery workshops on Naha's Tsuboya Yachimun Street, a district that has been Okinawa's center of pottery production for roughly three centuries. The workshop is currently led by its sixth-generation owner, continuing a family tradition of yachimun ware -- Okinawa's distinctive glazed and unglazed stoneware, traditionally fired in the district's climbing kilns. Ikutoen is particularly associated with a line-carving technique in which a colored glaze or slip coating is applied to a piece and then selectively carved away to reveal the pattern beneath; the studio carves freehand, without a preliminary sketch, a skill practitioners say takes eight to ten years to master. Alongside production for sale, the workshop opens its doors to visitors for hands-on pottery experiences, including shisa (the guardian lion-dog figures ubiquitous in Okinawan architecture), wheel-thrown rokuro work, hand-built tebineri pieces, and egaki glaze-painting sessions, with the shisa experience running 60 to 90 minutes. Finished visitor pieces can be shipped domestically within Okinawa or further afield for an additional fee, allowing participants to take home work they shaped themselves rather than only pieces bought off the shelf.
Imari Toen was founded in 1968 by ceramicist Kaneko Sadao with designers Chitojin and Eiji Okamoto shaping its early output, built around a stated refusal to cut corners as the wider industry moved toward mass production. The company still runs its own Imari showroom and presents its work bilingually rather than through a tourism intermediary.
A Karakashian family workshop and shop making hand-painted Armenian pottery, tiles, plates, bowls, and custom ceramic work behind the retail room. The Karakashian family was among the founding families of Jerusalem Armenian ceramics and established this separate Old City workshop in 1964.
Best for Hand-painted Armenian pottery and tiles from the Karakashian family workshop
John Derian Company has made decoupage by hand in New York since 1989, pasting 18th and 19th century prints onto glass plates and trays. The first shop opened in 1995 on East 2nd Street in the East Village, where three stores now stand. Collaborations include Astier de Villatte ceramics and Designers Guild fabrics.
Best for Vintage prints and botanical illustrations
John Derian Company was established in 1989, a few years after John Derian began a one-man decoupage business in Boston. He moved to New York in the early 1990s and hired a team of artisans as orders grew. His first shop opened in 1995 on East 2nd Street in the East Village. That quiet block became his creative hub. The company now runs three shops there at numbers 6, 8 and 10, with a seasonal store in Provincetown, Massachusetts. The decoupage is still made by hand in the New York studio by a small staff of artisans. They cut and paste imagery from Derian's collection of 18th and 19th century prints and lithographs onto glass plates and trays, with bowls and paperweights. In 2009 he added postcards, gift tags and tote bags to complement the decoupage line. Since 2011 his imagery has appeared on the white tableware of Astier de Villatte, and since 2018 on fabrics and wallpapers made with Designers Guild. A collaboration with Target began in 2010. One with Artisan Papergoods in 2020 brought puzzles and notebooks, with notepads. A candle with LAFCO New York followed in 2018. The shops also carry holiday objects from Ino Schaller, a German family business founded in 1894. A wall calendar marks each month with blooms from the print archive.
Kazuri Beads' page explains that its name means "small and beautiful" in Swahili. It says the business began in 1975 as a tiny workshop experimenting with making ceramic beads.
Kikis Pandechis Pottery carries three generations of ceramic craft from occupied Lapithos, where the founding grandfather first opened a workshop before the family rebuilt in Paramytha, near Limassol, after 1974. The workshop still runs factory tours through clay preparation, wheel-throwing and the kiln, and lets visitors shape and fire their own pieces.
Best for Hands-on pottery workshop rooted in Lapithos tradition
Galería La Mano Mágica was founded in 1987 at its current location on Macedonio Alcalá 203 in central Oaxaca and represents more than 300 artists across some 1,000 artworks. It specializes in Mexican popular and contemporary art including alebrijes, hand-painted pottery, textiles and paper crafts.
Best for Mexican folk art including alebrijes and textiles
Paris ceramics boutique founded in 1974, owned since 2006 by Eric Goujou, showcasing handmade regional French pottery from Alsace, Provence, Normandy, Burgundy and the Camargue. Located at 35 Rue Daubenton, 5th arrondissement.
Best for French regional pottery and tableware
La Tuile a Loup was established in Paris in 1974 with a mission to preserve traditional, regional French ceramic craftsmanship. The original owners retired in 2006 and sold the shop to Eric Goujou, a longtime customer whose interest in handmade objects led him to take over the business. The boutique curates pottery, bowls, plates and decorative pieces sourced from craftspeople across multiple French regions, including Alsace, the Camargue, Normandy, Burgundy and Provence. It operates from 35 Rue Daubenton in the Latin Quarter, in Paris's 5th arrondissement, with multiple current sources describing visits as by appointment.
La Vecchia Faenza has hand-painted maiolica since 1968 under Laura Silvagni, from Via S. Ippolito 23/A in Faenza. Traditional patterns include Garofano, Palmetta Persiana, Melograno, Compendiario, Berrettino, and Alla Raffaellesca.
Best for Hand-painted traditional maiolica patterns
Potter Mark makes hand-thrown and slab-built functional porcelain in Humboldt County, work he has done full time since earning an art degree from Humboldt State in 1976. Each signed piece is fired to 2400 degrees and made ovenproof, microwave-safe, and dishwasher-safe.
Since 1953 the Lladró workshops outside Valencia have sculpted porcelain with impossible lightness — petals, lace and light in high-fired clay. Every piece still leaves the single City of Porcelain.
Best for Porcelain sculpture from the Valencia workshops
Run by the A Oficina cultural cooperative founded in 1989, this shop gathers the handwork of Guimarães artisans, from the ceramic Cantarinha dos Namorados to hand-stitched Bordado de Guimarães. Alongside the crafts it carries the cooperative's own art and heritage publications, including a monograph on the town's embroidery.
Best for Guimarães embroidery and cantarinha ceramics
Maine Potters Market, a pottery cooperative at 376 Fore Street in Portland's Old Port, was established in 1978. The shop sells handmade pottery from its member potters, each with a distinctive style.
Founded in 1982 by Roberto López and Basilia González Álvarez, María Dolores Cerámica hand-makes lead-free tableware in Dolores Hidalgo's cobalt-blue tulip style. Dinner sets, tea services and pitchers carry the Alfarería Dolorense collective mark.
Best for Dinner sets, tea services and pitchers carry the Alfarería Dolorense collective mark
María Dolores Cerámica was founded in 1982 by Roberto López and Basilia González Álvarez in Dolores Hidalgo, Guanajuato — the Mexican town whose mayólica tradition, rooted in Talavera-style tin-glazed earthenware, gives the workshop its signature look. Every piece is made 100% by hand and finished in lead-free glazes, decorated with the cobalt-blue tulip pattern that identifies the town's pottery at a glance, and the workshop is a certified member of Guanajuato's regional pottery and ceramics cluster.
The range runs from full dinner sets to tea services, water pitchers, serving pieces and planters, all carrying the Alfarería Dolorense collective trademark — a regional designation of origin that ties the work to Dolores Hidalgo specifically rather than to mayólica production generally. The workshop operates as a family business, open Monday through Friday and Saturday mornings from its shop on Avenida 20 de Noviembre, and frames its approach around social responsibility alongside the craft itself. For a town where blue-and-white tableware is produced widely, the lead-free standard and the collective mark give María Dolores Cerámica's pieces a documented claim to both safety and place of origin.
Established in 1980 and now under new owners, McGlashen Pottery hand-makes functional stoneware tableware and shell-inspired bowls in Brightwater, just south of Nelson. Its wares sell through a Shopify store and an on-site gallery that also carries one-off pieces.
Best for Shell-inspired bowls and functional stoneware tableware
Founded in 1973 by a Thai forensics specialist, the British Consul and an engineer who met at a Chiang Mai hospital, Mengrai Kilns still hand-throws celadon tableware, tea sets and lamp bases at its Old City workshop, now run by the founder's daughter.
Best for Founded in 1973 by a Thai forensics specialist
Mengrai Kilns traces to 1973, when Dr. Srisukri, a Thai forensics specialist, the British Consul Donald Gibson, and engineer Alex Walker -- who had met while working at Suan Dok Hospital in Chiang Mai -- opened a celadon factory together in Ton Pao village, San Kamphaeng, the district long associated with the region's ceramics trade. The workshop specializes in celadon, the jade-and-cobalt reduction-fired stoneware historically tied to mainland Southeast Asian kilns, alongside unglazed pottery, vases and terracotta sculpture. Dr. Srisukri's daughter, Duangkamol, has since taken over the business; trained as a microbiologist, she has applied that scientific background directly to refining glaze chemistry and firing methods rather than treating the workshop as a purely traditional craft operation. Around 30 workers now throw, trim and glaze each piece at the company's Old City premises on Soi Samlan 6, where a retail gallery sits alongside the working studio and is open daily. More than fifty years after its founding by a doctor, a diplomat and an engineer with a shared interest in ceramics, the workshop remains a hands-on production operation, with tableware, tea sets and lamp bases still made on the same site where the kilns first fired.
Michael Laventzakis has thrown functional handmade ceramics in Chania since 1980, shaping clay into dishes, mugs, clay bakeware and kitchen pieces for everyday use. His own production is sold from shops on Skridlof Street in the old town and at Platanias.
Best for Handmade Cretan tableware and clay cookware
Family-owned since 1968, Midaya is a Pannipitiya ceramics studio and manufactory working across earthenware, stoneware, terracotta and porcelain. Its handmade range runs from tableware and kitchenware to home decor, ornaments and spa accessories, all produced and glazed on site.
Best for Handmade ceramics and tableware
Midaya Ceramics has worked from Pannipitiya, on the edge of Colombo, since 1968, and the company remains wholly family owned and operated. It describes itself as a design studio and factory rather than a shop that serves designers as well as manufacturers in several countries. A client's sketch is taken through sculpting and sample moulds to finished glazed pieces. The site holds an in-house crushing plant, a slip house and a mould making department. Its own laboratory produces fritted and raw glazes as well as engobes and colour stains. Few workshops in South East Asia fire several ceramic bodies at once, and Midaya runs earthenware and stoneware side by side with terracotta and porcelain, along with colour-stained bodies. Most pieces are decorated by hand, so no two come out identical. The catalogue is organised by use. Tableware together with kitchenware forms the largest section of the range. Home decor and ornaments follow, together with bath and spa accessories. Heritage and religious pieces have their own sections, and a horeca line serves hotels and restaurants with durable pieces. Midaya works with designers and manufacturers abroad, and ranges are sampled and packaged for shipment to the client's door. The factory address is Shanthi Mawatha in Pannipitiya. The company states that quality and consistency, together with flexibility and integrity, have guided the business since the founding year.
Founded by Kenichi Nakagawa (potter name Jinenbo), who built the kiln in Genkai, Saga in 1982, this workshop fires Chosen Karatsu ware by hand from local clay. His son Kyohei Nakagawa has run the kiln since 2012.
Best for Chosen Karatsu tea bowls and tableware hand-fired at the 1982 kiln
Nakagawa Jinenbo - born Kenichi Nakagawa in 1953 in Genkai, on Saga Prefecture's Higashi-Matsuura peninsula - left a job at a pharmaceutical company on a colleague's suggestion to train as a potter, spending three years from 1977 at the Karatsu kiln Kagamiyama-gama and funding his eventual independence by buying vegetables from local farmers and peddling them in Fukuoka. In 1982 he built his own split-bamboo, multi-chamber climbing kiln in Genkai, and by 1985 was showing work annually at Shibuya Kuroda Toen in Tokyo, working mainly in Chosen Karatsu - a Korean-influenced style in which a white straw-ash glaze and a black iron glaze are applied together and left to bleed into one another during firing, alongside brushed hakeme, white-slipped kohiki, and stamped mishima wares. He died in December 2011, not long after a 30th-anniversary exhibition of his work. His son, Kyohei Nakagawa, born in Genkai in 1983, apprenticed under him starting in 2009 and took over the kiln in 2012, continuing every stage of the process by hand, from digging and preparing the iron-rich local clay through throwing and firing. Because the Chosen Karatsu glazes are allowed to run and mix unpredictably in the kiln, no two finished bowls or plates carry quite the same pattern - a direct result of a technique built on letting the fire, not the potter, finish the surface.
Run by Matsuo Shoten, established 1954, natural69 designs Hasami and Arita porcelain built around simple, hard-wearing everyday shapes, including its patterned swatch series. The brand sells directly through its own online store and stocks well-priced tableware intended for years of daily use.
A blue-pottery specialist selling Jaipur-made plates, serving bowls, vases, trays, coasters, bath products, and decorative objects. The company works with hundreds of blue-pottery craftspeople across Jaipur and Rajasthan. Established 1978.
Best for Blue-pottery specialist selling Jaipur-made plates, serving bowls, vases, trays, coasters, bath products
Neerja traces to 1978, when Dr. Leela Bordia founded the company in Jaipur after encountering Blue Pottery -- a centuries-old Indo-Persian glazed-ceramic tradition -- in a state of decline among local artisan communities. She began with just four craftspeople, two men and two women, and built the business around a deliberate principle: rather than treating the craft as a charity case, she developed it as a sustainable trade in 'utility products,' pottery made to be used daily rather than displayed as a curiosity. That model has since grown to support thousands of craftsmen and their families, with the company having formally adopted four villages to sustain artisan livelihoods, and its work extends into the ancillary trades of metalwork, woodwork and glassmaking that surround Blue Pottery production. Neerja's design output includes more than 1,000 distinct Blue Pottery patterns, and the company holds a Limca Book of Records entry for producing the largest plate in the history of Jaipur Blue Pottery, at 30 inches across. Dr. Bordia herself became the first Indian ceramist to author a coffee-table book on the craft, and Blue Pottery has since been incorporated into the CBSE school curriculum as a recognized career path.
A Kraków shop on ul. Stradomska in the Stradom district selling hand-painted, hand-stamped Bolesławiec pottery made by the Ceramika Artystyczna cooperative (founded 1950) — from traditional blue-dot patterns to contemporary designs, with shipping abroad.
Best for Polish pottery and traditional hand-painted patterns
Niebieska Kropka ('blue dot,' after the traditional Bolesławiec stamped pattern) is a Kraków shop at ul. Stradomska 15, in the Stradom district near the Vistula riverbank. It specializes in Bolesławiec stoneware, the hand-painted and hand-stamped pottery tradition from the southwestern Polish town of Bolesławiec, where production dates back centuries and is now anchored by cooperatives such as Ceramika Artystyczna, established in 1950. The shop stocks pieces produced by that cooperative, ranging from the classic cobalt-blue dotted and peacock-eye motifs long associated with Bolesławiec ware to more contemporary painted patterns, across tableware, bakeware and decorative items. Customer accounts describe a large in-store selection, staff assistance with choosing and packing pieces, and support for shipping purchases internationally — relevant for visitors who want to bring pottery home without breakage. As an independent retailer rather than a factory outlet, Niebieska Kropka functions as a curated storefront for a regional Polish craft tradition rather than a manufacturer in its own right; the actual pottery is made in Bolesławiec, roughly 400 km from Kraków, and sold on consignment or wholesale terms through shops like this one.
Founded in 1969 at the foot of Mount Nichirin in southern Hagi, Ooyagama works in pottery, porcelain, and even ceramic jewelry. The kiln keeps its own gallery and shop for visitors browsing its Hagi ware.
A Perkins Cove fixture since 1984, this shop showcases Chris Davis's hand-thrown stoneware alongside candles, breadwarmers, olive-wood pieces, and other handmade home goods. Shop the pottery and gifts in person or through the online store.
Peter Pots Pottery, at 494 Glen Rock Rd. in West Kingston, Rhode Island, has handcrafted stoneware at the historic Glen Rock Mill since 1954, marking 75 years in business. Pieces feature hand-done sgraffito decoration, and the Coffee Cup design dates to the early 1950s.
The Almadies studio of Italian-born ceramicist Mauro Petroni, working in Senegal since 1983 on architectural ceramics including installations at Dakar's railway station. The space doubles as a venue for contemporary art exhibitions and cultural events.
Ahmed Slama founded this Nabeul pottery in 1965 and his son Imed formalised the company in 2002, producing plates, bowls, pitchers and tajines by the thousand each month. Handwork sits alongside modern methods, and the pieces reach markets across the Maghreb, Europe and beyond.
Best for Traditional Tunisian tableware and tajines
Poterie Artisanale G. Wehrling et Fille has worked at Soufflenheim, a village of potters in northern Alsace, since 1980. Gerard and Marie-Antoinette Wehrling founded it, and their daughter Peggy joined in the 1990s. The workshop began with a collection of cake moulds and baeckeoffe terrines copied from older Alsatian models. Plates, bowls, cups, salad bowls now leave through the shop on rue de Haguenau and an online boutique.
Best for Alsatian cake moulds, baeckeoffe terrines and hand-made table pottery.
Soufflenheim is a village of potters in northern Alsace, and Poterie Artisanale G. Wehrling et Fille has worked there since 1980. Gerard and Marie-Antoinette Wehrling set up on their own account in that decade, drawn to folk art rather than to any inherited workshop. Their first body of work was a collection of cake moulds and reproductions of older pieces, among them the baeckeoffe terrines that the regional kitchen still depends on. Their daughter Peggy joined in the 1990s. Together the three of them rework the same folk repertoire with new shapes, colours, motifs meant for present-day interiors. The house makes a point of its own position. It belongs to no dynasty of potters, and it says that this is probably what lets it push against the tradition more freely. The range runs to plates, bowls, cups, salad bowls, decorative objects, ordered through the workshop's own online boutique or bought at the shop on rue de Haguenau. The workshop also runs pottery courses and initiation sessions for visitors who want to try the wheel. Delivery is handled by La Poste. Everything that leaves the shop is made in Soufflenheim itself.
A handmade pottery manufacturer founded in 1991, with a second workshop established in Bat Trang village in 1989 employing around 200 workers alongside designers and artificers. Ceramics are exported to nearly 20 countries including the EU, US, Australia, Israel and Japan, produced to customers' specifications.
Sana Hastakala, a fair-trade handicraft producer established in 1989 with UNICEF backing and a guaranteed member of the World Fair Trade Organization, works with over 1,200 artisan producers across Nepal making ceramics, felt goods and woven textiles. Its production facility is in Ekantakuna, Jawalakhel, with a showroom in Jhamsikhel and headquarters at Kupondole, Lalitpur.
Founded in Paphos in 1976 by Savvas Georgiades and his son, this is a Cyprus pottery workshop, hand-painting classic grape and olive motifs alongside contemporary designs. Pieces can be bought at the Koloni workshop or shipped worldwide, and weekly wheel classes run for adults and children.
The Kumawat family has worked quartz-frit pottery since Bhag Chand Kumawat revived the craft in 1965 and opened a Sanganer workshop in 1969, tracing the family's ties to blue pottery back to the era of Maharaja Sawai Ram Singh II. Every family member takes part in some stage of the making, producing hand-painted tiles, doorknobs, soap dishes, and tableware alongside decorative pieces.
Best for Hand-painted blue pottery tiles and homeware
Sorrento e sells handcrafted Italian ceramics -- trays, dishes, and decor in geometric, floral, and coastal motifs -- made by artisans working in the Caltagirone tradition since 1970. The shop operates two physical locations in Sorrento alongside an international online store.
Best for Handcrafted ceramics in the Caltagirone tradition since 1970
Stefano Monteforte has made artistic ceramics in Grottaglie since 1978, working in both traditional and contemporary ceramic styles. His workshop, in the Murgia region of Puglia, is described as a bottega producing handcrafted pieces.
Run by potter Anne Schultz, working since 1974, Studio Three throws functional homeware in stoneware, porcelain and terracotta from a studio in Kloof. Pieces are sold at the Shongweni Farmers Market and the KZNSA Gallery, and the studio teaches pottery to all levels.
Established in 1984, this working studio throws and sells handmade pottery from the premises where the potters live. Visitors can buy finished pieces or sign up for wheel classes and workshops.
Ceramics house founded in Bolzano in 1950 by Countess Lene Thun, who modeled the first Angel of Bozen figurine now emblematic of South Tyrol; still headquartered in Bolzano as THUN S.p.A.
Best for Ceramic angels and warm-hearted gifts.
THUN began in 1950 in a small modelling workshop at Castel Sant'Antonio in Bolzano, when Countess Lene Thun, working alongside her husband Count Otmar Thun, created the first Angel of Bozen - a ceramic figure she modeled after her sleeping sons. The angel was embraced locally and became closely associated with the city of Bolzano and the South Tyrol region. In 1978 the Thuns' son Peter, then 23, took over management and expanded the company internationally. THUN's product range grew from figurines into tableware, home decor, jewelry, nursery items, nativity-scene pieces and gift items. The company today operates as THUN S.p.A. Societa Benefit, headquartered in Bolzano.
77 Armenian Patriarchate Road, Armenian Quarter, Old City, Jerusalem, Israel / Jerusalem / Israel
Vic Lepejian, with an M.A. in fine arts from Armenia, opened Vic's Armenian Art Studio in 1975 on Armenian Patriarchate Road; son Bedros and Irene Oerdegian work with him.
Best for Armenian art from a family studio on Armenian Patriarchate Road.
The Keeling family has thrown frost-proof terracotta by hand at this Warwickshire workshop on the Cotswold edge since 1976, producing more than 500 pot designs from small seedpans to towering Longtoms. Visitors can watch potters at the wheel, walk the walled flower garden, and eat at The Straw Kitchen café on site.